Process
Each piece is made by hand, without templates or mechanical repetition.
I don’t aim for perfect consistency. I let the process guide the outcome.
Some forms may resemble each other, but they are never reproduced exactly. Small variations appear naturally — pressure, movement, timing — the things machines are designed to erase.
This practice began as a way to slow down.
After long days of coding, designing, and navigating the cognitive weight of other work, making jewelry became a grounding process — repetitive enough to be steady, open enough to change. Over time, it developed into a personal coping mechanism, and eventually into a parallel practice that lives alongside my other work.
I make pieces as I go. There is no mass production, no fixed inventory, and no urgency to keep up. When a piece exists, it’s offered. When it doesn’t, it isn’t forced.
All pieces are finished and coated to slow oxidation and extend wear. This does not freeze the material in time — it simply allows it to age more slowly and more evenly.
Packaging is reused by design. Materials are selected from what already exists, keeping the focus on the object itself rather than excess.
What you receive is the result of a moment, a set of decisions, and a human process — not a replicated product.
Notes on Variation
Because each piece is made individually:
- No two pieces are identical
- Minor differences in shape, surface, or finish are expected
- Similar forms may appear over time, but exact repeats do not
These differences are not flaws. They are records of how the piece came to be.
Availability
Pieces are added as they are made.
There are no scheduled drops and no guarantees of restocks.
If a piece is no longer available, it means that particular object has completed its cycle.